Maybe it’s the weather
Bringing together the works of Brontë Jones, Natasha Lall and Sophie Durand, Maybe it’s the weather explores interpersonal relationships, longing to fulfill a fantasy, and overwhelming desires for love and intimacy. Rather than concerning certain individuals, being in love, or heartbreak; the exhibition examines fancified ideas of love, longing or wanting to be in a space of where something could/have be[en].
Maybe it’s the weather is a reminder that there are other reasons for feeling, which can be external from individuals and experiences. It is a realisation that everything is connected, and certain circumstances can exacerbate emotional responses to situations. The works in this exhibition repeat and prolong actions, thoughts, or utterances after the stimulus that prompted it has ceased. But maybe it’s ok, maybe it’s the weather, nobody cares forever.
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Brontë Jones, is an Australian artist based in Glasgow, Scotland. Their practice explores intimate and precarious relationships and the connection to personal technology and homewares. Their work dwells in a space of lonely intimacy, tied up with desire, longing and romantic love.
Natasha Lall is a multi-disciplinary artist based in Glasgow, Scotland who works with sound, text and film to explore dysphoria in the contemporary realm.
Left to right: Natasha Lall, Changing Room [Take Me Home, Country Roads Trilogy], 2017 and Plaid Shirt Pose [Take Me Home, Country Roads Triology], 2017
Photograph: Tim Palman
Left to right: Natasha Lall Printer Pics [Take Me Home, Country Roads Triology], 2017 and Sophie Durand, assuming they don’t spend any time thinking about it and not including the time you spend thinking/worrying/obsessing and getting upset about it, 2018 mixed media on canvas, 81 x 124 cm
Photograph: Tim Palman
Sophie Durand, assuming they don’t spend any time thinking about it and not including the time you spend thinking/worrying/obsessing and getting upset about it, 2018 mixed media on canvas, 81 x 124 cm
Photograph: Tim Palman
Brontë Jones, Daddy (a feeling), 2018, pressed flowers on paper, 20 x 25 cm
Photograph: Tim Palman